The Ibrahim Rouza

A Showcase of the Artistic Potential of Islamic Calligraphy

As you enter this place what catches your eye are the marvelously decorated walls and carved doors. They are so elaborate and full of exquisite calligraphic compositions that one cannot help wonder about the skill and artistic superiority of artists of that time.

Bijapur or officially called Vijaypura is a fortified town in the state of Karnataka. The seat of the Adilshahi has many monuments built by various Sultans of this dynasty. The most striking one owing to its beauty and calligraphic decorations is the Ibrahim Rouza. This impressive tomb and the accompanying mosque facing it from the west were constructed by Ibrahim Adil Shah II (AD 1580 - 1626), the 6th Sultan of the dynasty. It was built spending fifty Thousand Nine Huns (Adilshahi Gold Coin) under the supervision of architect Malik Sandal. Epigraphic records state that it was to be mausoleum for his queen Taj Sultana, however the king died before her and was buried there and it was in his honour the complex was so named.

As you enter this place what catches your eye are the marvelously decorated walls and carved doors. They are so elaborate and full of exquisite calligraphic compositions that one cannot help wonder about the skill and artistic superiority of artists of that time.

I was spellbound just thinking of the immense work, mastery of design and great imagination that went in crafting what feel is one if the finest examples of decorations in India that bring out the ornamental qualities of Islamic Calligraphy. Each surface is detailed with ornate designs, delicate and bold calligraphic strokes and verses from Quran imparting a regal and divine atmosphere to the place.

In various Islamic structures across the world, one can invariably notice the extensive and inspired use of calligraphy that has definitely expanded the application potential of this art form.